![]() ![]() The Machines”), who utilizes a rough sketch look through CG to depict the teenage passions and imperfections of the Turtles. It’s from director Jeff Rowe (co-director of “The Mitchells vs. So it faces an uphill battle to get an Oscar nomination.Īnother potential contender from this summer is the punkish reboot of “Teenage Mutant Ninja Turtles: Mutant Mayhem” (Nickelodeon). While directors Aaron Horvath and Michael Jelenic (“Teen Titans Go!”) cleverly focused on Mario (Chris Pratt) and Luigi (Charlie Day) as underdog Brooklyn plumbers-turned superheroes and turned Princess Peach (Anya Taylor-Joy) into a badass to help fight nemesis Koopa Bowser (Jack Black), the story and animation were not well received. Movie, ” the Nintendo video game adaptation, which was a worldwide phenomenon ($574 million domestically and $1.3 billion globally) and became the second highest-grossing animated film in history. Then there’s Illumination’s “The Super Mario Bros. Annapurna Animation and Netflix came to the rescue, though, and were uncompromising in delivering a faithful vision of Stevenson’s work. It’s a minor miracle the film got made at all after Disney halted produced shuttered Fox-owned Blue Sky. Based on ND Stevenson’s best-selling queer graphic novel about the titular teen shapeshifter (Chloë Grace Moretz) in a futuristic medieval world, it explores timely issues of identity and xenophobia while aesthetically pushing 2D stylization into 3D with a uniquely illustrated look from DNEG. The biggest surprise so far is Netflix’s “Nimona,” which marks an LGBTQ breakthrough for a mainstream animated film. It’s his most beautiful and ambitious fantasy romance yet, in which a small-town teen anxiously travels throughout Japan with a mysterious companion trapped inside a magical chair to save her country from a cataclysmic disaster. The director of “Your Name” was inspired by the Great East Japan Earthquake and expertly makes use of both hand-drawn and more expressive and complex CG animation for character and effects. ![]() Makoto Shinkai’s disaster-ridden “Suzume” (Crunchyroll) is another early frontrunner. The movie is touching in its evocation of obligation and desire, but the strength of the Pixar brand doesn’t guarantee a nomination. Set in Element City, where fire, water, air, and earth co-exist despite their fundamental differences, the film represents one of Pixar’s greatest tech accomplishments, in which VFX touched every shot because of the simulated characters and environments. Peter Sohn ambitiously leveraged his parents’ immigrant story for the studio’s first rom-com about the seemingly impossible pairing of the fiery Ember (Leah Lewis) and the watery Wade (Mamoudou Athie). Pixar’s “Elemental” is also an early frontrunner, despite its dismal box-office performance and mixed reviews. It’s about a high school championship game between underdog Shohoku and perennial champs Sannoh, which turns into a psychological rite of passage through the overcoming of pain and hardship. Made by Toei Animation, the 3D/2D drama has become the fifth highest-grossing anime of all time and won the Japan Academy Prize for Best Animated Film. Premiere at 2023 NYFF: See Full Spotlight LineupĪn early frontrunner has emerged with “The First Slam Dunk” (GKids), Takehiko Inoue’s superb anime adaptation of his hugely popular basketball manga series (“Slam Dunk”). Miyazaki’s ‘The Boy and the Heron’ Makes U.S. And for that, Sony Pictures Imageworks created innovative tools for translating more elaborate 2D stylization into 3D with new systems for using pencil, pen and ink, markers, and paintbrushes. Thompson (“Into the Spider-Verse” production designer) hurled Miles Morales (Shameik Moore) and Spider-Gwen (Hailee Steinfeld) into several new dimensions to battle Spot (Jason Schwartzman), including Gwen’s watercolor world and the India-inspired Mumbattan. Producers Phil Lord and Chris Miller and new directors Joaquim Dos Santos (“The Legend of Korra”), Kemp Powers (“Soul” co-director), and Justin K. Over the first half of 2023, an early Oscar favorite has emerged with Sony’s “Spider-Man: Across the Spider-Verse,” which has surpassed its Oscar-winning predecessor at the box office ($378 million domestically and $682 million globally) and upped its game with a more expansive story and greater animated tech innovations. ![]() We update predictions through awards season, so keep checking IndieWire for all our 2024 Oscar picks. And finally, the 96th Oscars telecast will be broadcast on Sunday, March 10, and air live on ABC at 8 p.m. ![]() Nominations voting is from January 11–16, 2024, with official Oscar nominations announced on January 23, 2024. ![]()
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